Showing posts with label Jacob Jankowski. Show all posts
Showing posts with label Jacob Jankowski. Show all posts

Tuesday, April 26, 2011

What Happened To Rob's Leather Jacket From ‘Water For Elephants’?





Have you ever wondered what becomes of all the amazing (and no doubt, costly) costumes after a movie finishes filming? Because that's ALL we could think about during "Water for Elephants." Seriously. The stunning gowns, the beaded circus wear, the boots worn by Robert Pattinson—what would happen to those things? Were they just going to be thrown in a trash can somewhere (and if so, WHERE IS THAT TRASH CAN)?

Luckily for us, "WFE" costume designer Jacqueline West stepped in before we descended into Dumpster-diving madness and provided some answers. The clothes, at least for "WFE," were not discarded (phew!). In fact, Jacqueline said that Reese and Rob actually kept some of the items.

(...)

Of course, Rob didn't go home empty-handed either.

"I think Rob kept his leather jacket that he jumps off the train in," she said, adding that co-star Christoph Waltz also likely kept a top hat he wore in the film because he "loved it so much."


Full article at Hollywoodcrush
 via RobPattzNews 

Sunday, April 3, 2011

Collider Interviews Robert Pattinson for ‘Water for Elephants’

The drama Water for Elephants, based on the acclaimed best-selling novel of the same name and opening in theaters on April 22nd, tells the story of a veterinary student, named Jacob Jankowski (Robert Pattinson), whose entire life changes when his parents die in an accident and he ends up jumping a random train that happens to belong to the Benzini Brothers Most Spectacular Show on Earth. Once he is discovered, he is put to work with the animals, where he meets the circus’ shining star, Marlena (Reese Witherspoon), and her charismatic husband August (Christoph Waltz), the often violent and abusive owner. This magical world serves as the backdrop for an epic tale of forbidden love, between two individuals hoping for a second chance at happiness.

At the film’s press day, actor Robert Pattinson talked about the impression the novel made on him, his affinity for the time period of the 1930s, working alongside an elephant as a co-star, and how he personally identified with his character’s journey. Check out what he had to say after the jump:


Question: What was the impression you got from reading the book that made you want to do a film adaptation?

ROBERT PATTINSON: I think I’ve just always had a bit of an affinity for that era. I always wanted to do a movie around that time. And, I think it was just very solid, how she (author Sara Gruen) created the world there. I just wanted to be a part of it.

How did you approach becoming a person from another time?

PATTINSON: There was a comprehensive creation of the world. I’ve never worked on anything so detailed. There was an embankment with a train track on the top. All the trailers were on one side, and then the circus world was on the other. Once you walked over the tracks, there would be a camera, but that was the only thing from the 21st Century. You could stand on the tracks and look over at everything, and you were in the ‘30s. We were out in the middle of the desert in Fillmore, and there was nothing else around. There was an orchard. We were in the ‘30s. Jack Fisk, the production designer, used authentic pegs and the ropes. Every single thing which built the world was all totally real. And, authentic period underpants do actually help, as well. I actually wore them every single day. Jacqueline West, the costume designer, was unbelievable. Almost everything was real. Every pair of jeans were all from the ‘20s and ‘30s. It was crazy.
 
What do you love so much, about that time period?

PATTINSON: There’s a wildness to it. I think that’s why I like that period. After that, it’s just white picket fences. It just gets progressively more boring. But, it’s the end of the Wild West. It’s why kids still want to be cowboys, even in England.

What was it like to work with Tai, the elephant, especially in the beginning?

PATTINSON: I wasn’t scared at all. There was only one moment, when we first saw the whole herd together and Gary, Tai’s trainer said, “Sit,” literally as if he were talking to a dog, and it sat down in exactly the same way a dog would. Just seeing that, it’s totally incomprehensible. I basically decided to do the movie, at that point. I hadn’t read the script or anything. It’s very powerful to think that you can have a relationship with these huge beasts.

It’s been said that the elephant took quite a liking to you. How does an elephant flirt?

PATTINSON: I don’t know who started that. I’ve been asked about it all day. It sounds really disturbing. I wasn’t flirting with the elephant. I think I had a relationship with the elephant, but it was based purely on candy. I strategically placed mints. I’d suck a peppermint for a bit, and then stick it onto my body, under my armpits and covering my entire chest, and not tell anyone. So, every single time, the elephant would be constantly sniffing me and I’d be like, “I don’t know, she just really likes me. It’s crazy!” But, I think she was just sniffing around for a treat.

In the film, your character Jacob lies about being a vet to get a job in the circus. Have you ever lied to get an acting job?

PATTINSON: Oh, yeah, all the time. I don’t know if there’s the same thing in America, but there’s a thing called the Spotlight Form in England, where you have all your talents and accents and everything. You just tick these boxes, saying what you’re capable of, as an actor. I just tick everything. I can do any accent in the world. I can literally do any technical skill. I think it’s still like that. I ticked that I can do Lithuanian accents, fluently.

What was it like to do the kissing scenes with Reese Witherspoon, who is so much smaller than you are?

PATTINSON: It’s really easy for me. I’ve got quite bad posture and I’ve got a big, heavy head, so it just slumps down and she was in the right spot, naturally.

How was it to do the scenes where you have to shovel the animal poop?

PATTINSON: I don’t mind working with poop, at all. I have a natural propensity to work on big piles of poop. I’m very familiar with it. I don’t know why I wasn’t grossed out by it, at all. Because everything felt so authentic all the time, you just accept it, as part of the world. The scene where we were in that train car, there were like 10 billion flies. On any other movie, I think I’d be like, “Let’s just do one take!” But, I was perfectly happy to make a little mound and sit there and eat my lunch.

Did you enjoy getting to shoot some of the film in Tennessee?

PATTINSON: There was an amazing moonshine day. It was one of the best days of the shoot. Drinking moonshine in 120 degrees, half of the crew was passed out, after one sip. It was amazing!

Was there anything about Jacob Jankowski’s journey in the film that you, personally, could relate to?

PATTINSON: I don’t know. I guess I had an experience, when I did a Harry Potter film, years ago, and I was just starting to realize that I wanted to be an actor, even though I had already finished three movies, by that point. I remember being in Tokyo and looking out the window and seeing the Tokyo skyline. It made me reflect on what had happened in my life, and I was in awe of what road I had taken, by accident. In terms of being mesmerized by a girl, like he is, I guess that happens.

Collider.com

New Picture of Rob at the Water for Elephants Press Junket

Here’s a  first picture from ScreenSlam of  Robert Pattinson at the WFE press junket
Click to make much bigger :)
Photobucket

Monday, March 28, 2011

Water for Elephants Director, Francis Lawrence : Nothing but Praise About Rob & Reese

From MB.com:
Setting a moving love story during the Great Depression might prove quite a challenge, especially considering it unfolds in this whole mysterious world of a traveling circus, no less. But director Francis Lawrence turns Sara Gruen’s acclaimed novel into a sweeping, cinematic drama for the silver screen, and one that promises to take its audience into a world beyond the thrill of the circus and into the life under the Big Top.
“Water for Elephants” follows the story of Jacob (played by Robert Pattinson of “Twilight” fame), whose world changes dramatically after his parents die in a car accident. Boarding a train out of town, he soon realizes he inadvertently joins a circus train where he meets equestrian star, Marlena (Reese Witherspoon).
The love that develops between Jacob and the married Marlena is compelling, and Lawrence is grateful that his main cast has truly been up to the task. In casting Witherspoon in the role of Marlena, Lawrence says, “Reese was the first person I cast in the film and she was a great creative partner in the early days when we were putting this project together.”
But Witherspoon holds an allure that Lawrence describes as “a timeless beauty.” As Marlena, Witherspoon also has to work with a graceful elephant and Lawrence thankfully notes, “She loves animals and has no fear of trying anything. [But] also, Marlena is a bit tough and hardened. She isn’t a victim and Reese… she is very strong.”
Opposite Witherspoon, Lawrence cast Pattinson, a decision he’s made after sitting with him for just a couple of hours. “I thought he was naturally perfect for Jacob Jankowski. It was tough to try and find a young man of 23 or 24 who didn’t feel like a boy—and Rob was already becoming a man. He is thoughtful, intelligent, emphatic, strong and confident while still being a bit uncomfortable in his own skin.”
In order to play the two roles well, both actors had to understand the nature of the relationship between Jacob and Marlena. “There is a nice slow burn to their growing passion,” Lawrence notes. “I think Jacob falls instantly for Marlena… but she is guarded, and doesn’t trust many people. Through his actions in the movie, Jacob starts to break through that wall and she discovers that he is unusual and quite exceptional in this world of the circus. I think she falls for his morality.”
So the bond that forms between Jacob and Marlena is the core of the movie, and it is crucial that his two leads are believable in this world. Lawrence admits, “Chemisty is always something that one worries about, but the worries went away in rehearsal. I saw it immediately.”
And more than the chemistry with each other, Witherspoon and Pattinson also had to worry about acting with the circus animals. Lawrence reveals, “We worked with quite a lot of animals and our actors were going to be around them a lot, so I thought that it would be a good idea for them to spend a lot of training time with them and getting comfortable with them.”
Witherspoon, in fact, had to have the most training, because “she had to perform with the animals as well. She needed to rehearse the horse act and the elephant acts. It was a lot of work for her but she really worked hard and it paid off.”
On the whole, when asked to name his favorite scene in the movie, Lawrence says he has a lot. But aside from Jacob’s scene alone in the forest when the train arrives, the director notes, “I love the scene when the circus is setting up for the first time and I love the dinner sequence where Jacob and Marlena dance for the first time.”
And it is these interactions between his leads and the reactions people get from watching scenes like this that Lawrence hopes would resonate with viewers. “One of the reasons I wanted to make this movie was that it has hope, magic and beauty. I really hope people respond to that,” Lawrence says.
“Water for Elephants” opens locally in May.

Friday, March 25, 2011

Amazing NEW Water for Elephants Still : Rob in Style Magazine (Italy)

Untagged still thanks to bea_is and herm_weasley at Pattinsonlife


Photobucket



Untagged still thanks to bea_is at Pattinsonlife



Translation thanks to @catrux

The real prototype of these generational mutations is Rob Pattinson: 24 years old, and Englishman in Hollywood, where he became famous worldwide playing the pale vampire Edward Cullen (and, even before, Cedric Diggory, a model student at Hogwarts in the Harry Potter series). He jokingly admits to be “nothing special, one of those who live in hotels and travel the world”. However, he created a new masculine identity, surprising even for the Facebook sub-culture who’s made him a star via the social network. Today is the eve of an important test for him: his new movie, WFE: he’s the protagonist of a melodramatic film, set in a circus, from the bestselling book by Sara Gruen. […]

Having been labelled as a teen idol, you’re now being tested as a true actor.
I had this chance to act with Cristoph Waltz and I fall in love with Marlena (Reese), his wife. Travelling with the circus, I visit areas of America far from Hollywood. There are dark secrets in this movie, as in life. And there’s this idea of life-saving love, which I believe in. I’m not cheesy, but I have a romantic soul.

Do you get on well with girls?
I grew up with two older sisters, and I have a great respect for women. I hate the lack of prudishness, I get bored when people are ostentatious of their body. Sex and feeling for me walk side-by-side.

Your rock side: people say you spend nights with your friends listening to Tom Waits, Van Morrison and the late Jeff Buckley.
Music is a key aspect of my life. I wish I could play a movie about Buckley, his voice, his songwriting gave me a lot. I’m interested in his creativity, in his existence, even in his death by drowning in 1997, in the Mississippi.

What kind of use do you do of Internet?
A practical use. My favourite movie last year was The Social Network and one day I’d like to work with David Fincher. Everything he does is interesting, and he got the best out of an actor I really admire, Jesse Eisenberg.

Mr. Pattinson, you’re an idol. Who’s yours?
Jack Nicholson. He had a huge career and he always owned his characters. Whereas, in the end, for a lot of people, I am just Edward the vampire and in my life I’m just Robert. We share the same hairstyle. But when I read an entire article about my hair, I laugh my best British laugh.

By the way: what brought you from London to Hollywood?
Difficult work perspectives. I didn’t have great experiences as an actor, I had posed rather awkwardly as a model; then, cinema. In Vanity Fair I was Reese’s son, while in this last movie I’m her lover.

To be honest, not a great curriculum.
No, and I wasn’t even sure if I wanted to be an actor; I had always thought I was going to be a writer or a musician. But then I fell In love with the adventurous aspect of cinema. And I found the discipline, the ethic, and let me tell you, the inner call, which helped me to give a proper structure to my life.

Fame was next, a non-human fame: the vampire. How did Rob Pattinson protect his persona from fans only interested in a celebrity?
I am a cinephile, I’ve always loved cinema. It’s a passion. Cinema has the most important, and the truest communicative task: it makes us dream, it broadens our imagination, and yes, it can help us become better people. I started studying French just because I was interested in the nouvelle vague director Godard. All of this doesn’t make me a “celebrity” even if I later entered the Hollywood system.

How important was your family in your education?
I have a solid family behind me, two sisters, Lizzie is a musician like me; yes I play piano and guitar and I even wrote songs for Twilight. I remain an Englishman, I still remember my days in a public school, the Harrodian, where I wasn’t an extraordinary student, but always curious and open to cultural variety. My family taught me a sense of reality, of duty, the refusal of any kind of hysteria and I’ve never considered myself superior to Americans because I’m from London. I hate every kind of snobbery: it has often racism behind it.

We know very little about your life. As a man and an actor, how would you describe yourself?
My father Richard sold cars for years, my mother works as an agent in the show business. I started acting almost by chance at school and I played in a band. I never asked for too many clothes and shoes, and I’ve never been a social climber and I’ll never be. I read a lot and I still do; my favourites are the Russian writers, Dostoevskij, Nabokov. They make fun of me on set because I’m always reading stuff. Lately I’ve been reading again my favourite English writer, Martin Amis. His books are extraordinary accounts of contemporary life and psychology.

What was the turning point from the status of young actor to superstar?
I came to a point where I said: I’m going to be a professional actor, looking for the origins of my characters, making something real out of this ephemeral job. This will allow me to live the life I want to live, to be active in green politics, to be a citizen of the world. Fame is an handicap, not a privilege, it often complicates things. I try to not fall in the web of top class hotels, first-class flights, designers sending you tons of stuff, thousands of girls everywhere..

Can you resist everything? Can you define yourself by what you refuse? You’re immune to gossip?
My private life is off-limit. I’ve never spoken about my flirts, I’m not a man for short and superficial love affairs. I don’t talk about my relationships with female friends, not to mention how I don’t talk about the rumors my relationship with Kristen Stewart, an actress I admire because she’s a real person, and a real actress. It was the chemistry I had with her helped me to get my role in Twilight. I don’t let people take pics of the houses I rented both in New York and London. When I’m in L.A. I live mostly in hotels. You can live very well in the anonymity of a hotel room, especially when you have a piano to play.

How important do you consider your style, the clothes you wear?
I like dressing Calvin Klein, English shoes, Tshirts and comfortable jeans. I’ve always been influenced by James Dean’s look. Yesterday elegance was conformism, today it’s individuality. Maybe we should find a balance.

Memorable travels around the world?
I avoid going on vacation to trendy places, I prefer road trips with friends, like students who choose nice motels, cafes in the depths of America, where a lot of people can’t even recognize me. Simple people who teach me how life is not Twilight. I travel to keep my feet firmly on the ground.

Are you interested in the real world?
I’m still interested into green politics and animals, preferably without paparazzi following me around. I have a dog, my true life companion, that’s never going to be in a photo shoot. This whole animal welfare thing is deeply in my heart: it was a real joy to be able to work with so many different species in WFE. I have a democratic and liberal concept of my life.

Congratulations. But don’t you think this is a super-serious attitude for an actor famous like you?
This is me, just me: I’m not interested in casual relationships, I need to know people, I’m not making an existential statement here: simply, I want a family, with 2 or 3 kids. Not funny? I really wish I could talk to animals more than to people who think they know me just from my movies.

Cosmopolis, Cronenberg’s move, is really going to be super-serious, from DeLillo’s novel, a metaphorical trip into America before 9/11.
I portray a contemporary man: ambitions, velleity, subterranean anxiety. Great stuff.


As always, international interviews sound a little weird, things usually get lost in translation and words get twisted.

Scans thanks to Robert Pattinson Italy

Via RPLIfe

Thursday, March 24, 2011

Water for Elephants Still Featuring Rob and Reese now in HQ


Click for HQ



WFE Facebook | Via

Robert Pattinson On Why 'Water for Elephants' Was A No-Brainer



You're incredibly busy. What is it about Water for Elephants that made you decide this was the film you wanted to do next?

When I first met Francis, we met at the elephant sanctuary where Tai the elephant lived. I got along with him really, really well in the car. We arrived at this place, met the elephant and he was showing us all the tricks that it was going to do in the movie—it was such an incredible day and just the environment of being around elephants was the first major thing. I loved the idea of working on such a peaceful set because just being around them is incredibly peaceful. Also, having done so many stressful things over the previous year, when I read the script and the book and loved them both, it just felt like I could add something to it. Then it had Reese and Christoph on it and I felt like you can't really get a better cast, and that was about it. I thought it was kind of a no-brainer, really.

It's interesting to hear you talk about the animals because one scene that stands out is the first time you walk through and meet all the animals by yourself. You just seemed so comfortable in that circus environment.

There was something about where we were shooting and just the wildness the story created—there's something kind of magical about it. We were shooting out in the middle of the desert and everything was in this authentic '30s circus tent and there was hardly any kind of modern day film equipment anywhere. You could really believe that you're in the '30s. There was just something about the way the light comes through the tent. There's this real mystic quality and then there's extremely hot, tired animals, exotic animals in these period cages. There is something incredibly beautiful and strange when you see a hyena and tigers and zebras and they're all in the same room together all passed out sleeping—and a baby giraffe at the end. One thing about that scene specifically, the baby giraffe was completely clueless to the fact that there's the tiger in one cage and lion in the other cage directly opposite it. They're both staring at the giraffe during the scene and I was just trying to make the giraffe not realize what was happening and keep him looking in one direction.

That sounds like a metaphor for something, although I'm not exactly sure what.

It's funny because the giraffe wasn't born in the wild or anything so it had no idea of the threats posed about four feet away from him. I mean, everyone always talks about, "Never work with children and never work with animals," but I just found that it's always been a part of me. I enjoy working with children and animals more than adults the majority of the time because they're a constant source of inspiration because they're just doing their own thing. They don't know they're in a movie.

They're the ultimate method actors.

They're really, really, into their characters. [Laughs]

As a kid, did you want to run away with the circus?

Not really. I only went to the circus once when I was about six or something. The clowns were in this little car and the car door blew off and my sister told me that the clown had died, which is completely untrue but I thought it was true up until a year ago. I think that was one of the things that set me off from ever going to the circus again. It's funny because so many people always think the circus is creepy and then you watch Water for Elephants and it doesn't seem even like a circus, really. Some people have asked me, "Is it scary? Are there freaky clowns?" No. Why is that the first thing that comes to your head when you think about a circus? That is just very strange.

So many people are afraid of clowns. What happened to them when they were kids?

I know. It's so weird. Maybe in my generation, most people want to be miserable all the time so they're scared of someone trying to make them laugh. One of my favorite movies was It when I was younger. I kind of always liked the idea of a psycho clown.

I think I actually do blame It for a lot of that. I remember watching that when I was really young and just being terrified—especially of spiders, too.

I watched it again recently and it's really not very scary. I was terrified of it when I was younger for years.

My parents let me read that book when I was ten. I don't know what they were thinking. I wanted to ask you, this film has such an American feel to it. Since you're from London, I was wondering what you drew on to give it this great '30s frontier spirit?

I think it's always been my favorite period of America. Whenever I'm driving through the countryside in America and just see flat land going for ages and ages and tiny little towns with their little gas station and stuff. That's what my idea of America is. I never think about New York or any of the cities. That's what it seems to me. That period, that's the end of the Wild West. That energy I find really attractive. I like the idea of romanticizing America because England in the '30s, there's nothing I particularly want to romanticize. There's something about America at that point in time that seems very symbolic of hope for some reason. As soon as I saw the way Jack Fisk the production designer created the sets, and also just the days and the times of the day we chose to shoot on-we were always shooting in magic hour-it just felt incredibly American all the time and I really liked it. I don't know if you could make a modern movie feel the same. I don't what you do to make something seem really American if it was modern day. Before the '40s, people are essentially still cowboys and that's what Americans are to me. And then it became all white picket fences and something totally different. But the '30s are cool.


Source | Via

US Weekly Scans: Francis Lawrence talks about Rob and Reese


Click for fullsize


 Source

Friday, March 18, 2011

ET Online – TOP 10 Spring Movie Preview 'Water For Elephants'

#9 - Water for Elephants

'Water for Elephants' (April 22)
Robert Pattinson and Reese Witherspoon fall for each other under the big top in their new period drama based on the best-selling novel by Sara Gruen. 'Water for Elephants' follows an elderly man (Hal Holbrook) reminiscing about his days working as an animal caretaker at a circus. A young veterinary school student (Robert) witnessing the beauty and brutality of life under the big top, he falls for Marlena (Reese), the captivating star performer, and suffers the wrath of her charismatic but dangerous husband, August (Christoph Waltz).


ET Online | Via

Tuesday, March 15, 2011

Hal Holbrook talks about meeting Rob



And while Holbrook is constantly looking to the past to inform the future, the “Wall Street” actor still has some interesting run-ins with Hollywood up-and-comers. On the set of his upcoming movie, “Water for Elephants,” Holbrook worked alongside everyone’s favorite vampire — teenage heartthrob Robert Pattinson (of the “Twilight” series).

“I was astonished when I met him, because I met him with a couple friends of mine and the minute I looked at him, I said to him, ‘My God, you look like me as a young man,’” Holbrook said. “Everyone who was with me said, ‘Yeah, he really does.’”


A young Hal Holbrook :)



Source | Via