Showing posts with label Remember Me. Show all posts
Showing posts with label Remember Me. Show all posts

Friday, February 11, 2011

ScreenJunkies – 10 Best Chick Flicks 2010 (Remember Me)


2. “Remember Me” – Featuring career-defining performances by Emilie de Ravin and “Twilight” star Robert Pattinson, this film about two tortured college students who find love and comfort in one another while enduring painful losses remains one of the ten best chick flicks of 2010, despite its lukewarm reception by critics and audiences.

Tuesday, February 8, 2011

Movie Premiere Tuesday - "Remember Me" London

This week I again decided to get away from The Saga. Last time I did New York, this week I have chosen for your viewing pleasure: "Remember Me" Premiere; London, England 17-Mar-2010. All are SUPER UHQ!
LOTS MORE AFTER THE JUMP! 

Another New/Old Video of Rob Filming Remember Me - June 22, 2009



Source | Via

Tuesday, February 1, 2011

Movie Premiere Tuesday - "Remember Me" New York City

This week I decided to get away from The Saga. This week I have chose for your viewing pleasure: "Remember Me" Premiere; New York, NY 01-Mar-2010. All are SUPER UHQ!
LOTS MORE AFTER THE JUMP! 

Saturday, January 29, 2011

Tyler Hawkins’s Death Scene in Remember Me in ScreenJunkies “5 Best Death Scenes of 2010″


2. Tyler’s Death – “Remem­ber Me.” In “Remem­ber Me,” Robert Pat­tin­son plays Tyler, a trou­bled young adult. Despite much fore­shad­ow­ing, it is easy to be caught off guard by Tyler’s death scene at the end of the movie. A zoom­ing cam­era reveals Tyler stand­ing inside one of the Twin Tow­ers of the World Trade Cen­ter on Sep­tem­ber 11th.

Tuesday, January 4, 2011

Thursday, December 23, 2010

Remember Me is one of the '10 Great Films You Missed in 2010'


From Moviehole


Remember Me


I know, I know, ‘but it’s got that guy with more gunk in his hair than Liz Hurley does in her nether regions’ but c’mon! many-a-good-actor have started out in the cinematic mailroom and graduated to an awe-impressive high-rise suite – just look at Robin ‘Mork’ Williams, Josh ‘Goonies’ Brolin, Tom ‘Bosom Buddies’ Hanks or Stephen ‘Evil Ed’ Geoffries! (Ok, bad example) – ain’t Robert Pattinson innocent until the gavel slams down!? This film, a heartrending relationship drama (it’s both about the rapport between a young couple and also one between a young man and his estranged father) that played to the tick of a 9/11 countdown, proved there’s much more to “Twilight” vamp Robert Pattinson than blank stares, sparkles and tree hopping. Quite simply, Pattinson was an eye-opener in this film. Skeptics need see it.


Full list at Moviehole | Thanks to _lilac_wine_
Via RPLife

Wednesday, December 22, 2010

'Remember Me' in Film.com 'Top Ten Movies of 2010' - "Remember Me was Massively Underrated"


Massively Underrated: Youth in Revolt / Remember Me

Youth in Revolt was an innovative comedy, but it was released during a time period where people skip the theatrical experience. And if Remember Me had featured Ryan Gosling instead of Robert Pattinson it would have been correctly hailed as great. But people got far too caught up in the ending and Pattinson's celebrity to catch that he was really freaking good in this movie. Definitely worth a watch if you you're a fan of relationship dramas


Full list at Film.com | Via


And from LA Times

Last week, we wondered which film was the most under-appreciated of 2010. Through tweets, e-mails and comments, many of you weighed in with your choices.

Some of the more popular picks didn't surprise -- they were big-release movies with a distinct sensibility that got dissed despite (or because) they felt unique -- "Scott Pilgrim vs. the World" most notably among them, or even the Sept. 11 romantic tearjerker "Remember Me."


Via

Saturday, November 27, 2010

Sunday, October 31, 2010

Unofficial “Remember Me” Fansite Editorial – The Legacy of “Remember Me” Part One

In Jessegirl’s latest wonderful article takes a very interesting and thoughtful look at what the Remember Me Legacy might be in the future.

-by jessegirl- October 24, 2010

Gazing into a crystal ball, what will Remember Me’s legacy be?
Will the Oscars, Baftas, SAGs, Golden Globes look favourably in its direction?
Will it be included in future “Best Film” lists?
Will it become a classic? Or perhaps a cult classic? A sleeper?
Could it become a best-loved film?
Could it appear on film courses in universities, or even find a niche in high school history classes? What criteria do we use to measure legacy?



Hmm. I’m sure some people reading this will think these are ridiculous questions. Given the way the industry and media operate perhaps many think specifically my second query deserves only a raised eyebrow and a dismissive snort. Knowing the film as I do, I would never have predicted either poor critical reception or fair to middling box office, certainly not both together. But that combination was part of what propelled me into defending the film. What does that say about the accuracy of my crystal ball?

It is early days to speak of legacy, I know. It’s been only about 6 months since Remember Me’s U.S. theatrical premiere. However, with films, predictions are rampant. People have no compunction to say “generating Oscar buzz” about other films, either before general release (Oprah, about Precious at TIFF), or after a lucrative premiere (The Social Network).
To read the entire post, please visit their site!

Sunday, October 24, 2010

Remember Me International Totals


Remember Me” International Totals

Take a look at some of the totals, especially those outside the US. RM seems to be done in theatres now unless it opens in additional international locales. Its performance, especially internationally, is pretty impressive. BOM earnings for RM through October 3 is $36,785,867. The overall total for RM on BOM as shown is just for those countries listed on its site (this seems to vary between films). The totals for India and Switzerland and perhaps other locations are not included. The last total for Switzerland was $1.1M. I would hazard to guess that India is probably similar, so I believe the International BO was probably closer to $39M. 
Whatever Summit’s ultimate profits were, I think that those who are watching have noted that this is an impressive performance due in great part to Rob’s participation. Just to give an idea of how well the film did, I have compiled some film’s international totals for comparison. These may or may not be similar films, but, they are familiar films which should help in gauging how well RM did. The “star power” in some of the films listed and the performance of RM in comparison, is also, IMO, an indication of Rob’s potential draw. 

For a relatively small film usually showing in fewer cinemas than the bigger films (sometimes as much as 50% less), RM finished in the top 25 OVERALL (weekend totals for all countries) for six weeks maintaining a top ten finish for 3 weeks. It rarely opened out of the top ten in any country and was more often in the top 5.
    Most of the films listed are finished or appear to be near the end of their run. Production budgets are in parentheses. 


1. Nanny McPhee and the Big Bang: $63.3M ($35M)
2. The Book of Eli: $62.2M ($80M)
3. The Green Zone: $59.8M ($100M)
4. Law Abiding Citizen: $52.9M ($50M)
5. Kick Ass: $48.1M ($30M)
6. Killers: $45.1M ($75M)
7. Ghost Writer: $43.7M ($45M)
8. The Back Up Plan: $39.9M ($35M)
9. Edge of Darkness: $37.6M ($80M)
10. Remember Me: $36.8M ($16M)
11. Dear John: $34.9M ($25M)
12. Nine: $34.2M ($80M)
13. From Paris With Love: $28.5M ($52M)
14. The Last Song: $26.1M ($20M) *Still Playing/Will increase, but, IMO will not surpass RM
15. Letters To Juliet: $20.4M ($30M)
16. Daybreakers: $20M ($20M)
17. The Road: $18.8M ($25M)
18. She’s Out of My League: $16.8M ($20M)
19. A Single Man: $15.7M ($7M)
20. The Crazies: $15.3M ($20M)
21. Brothers: $14.5M ($26M)
22. Hot Tub Time Machine: $13.8M ($36M)
23. Cop Out: $10.5M ($30M)
24. Brooklyn’s Finest ($9.1M ($17M)
25. Leap Year $6.7M ($19M)
 from Rob’s Message Board on Imdb  Via 

Wednesday, October 13, 2010

“Remember Me” Unofficial Site Article — Robert Pattinson Selling “Remember Me”: The Press Junket

Jessegirl is back with her 12th amazing article! This one deals with some of the issues surrounding Rob and the marketing of Remember Me, in particular the time of the press junket prior to the release.

-by jessegirl- September 28, 2010


The Product:
Remember Me is not an easy story to sell; it was difficult to get financing for the project and then later it was a hard sell during promotion. Part of the reason is that it cannot be pigeon-holed into the usual genres, and when a close type is identified, it turns out most of the viewing public is not ready to pay to see that type of film.

Allen Coulter, its director, said it could be a ‘romantic drama’, but that it has “so many different layers…even we [the filmmakers] couldn’t describe it…which can be a terrible disadvantage and perhaps this is the kind of movie that wouldn’t get made if someone like Robert Pattinson didn’t want to make it…how do you explain to people…”. [to Edward Douglas at Coming Soon.net]

I ‘m not sure of the exact timeline, but Pattinson definitely read the script and met with Coulter and producer Nick Osborne and signed on to Remember Me long before Twilight came out. At that point none of the men knew that Twilight’s success would catapult Pattinson into the stratosphere of fame, but when it did, he then had the clout to get Summit to back the project. This phenomenal occurrence was a double-edged sword, because, when filming began, Coulter reports that it was “incredibly difficult” to film on the streets of NYC, with disrespectful paps and Pattinson’s eager fans hampering their efforts.

Because Remember Me defied categorization, even the star had problems selling it on the press junket. When speaking with Matt Lauer on the Today Show, the usually articulate Pattinson was a loss for words. He said:

“..it seemed like there was a reason to do it…it seemed like it wasn’t written just to be a film…I don’t know..there was just something special about it and I thought every part of it helped it become what it is..” This was the star’s chance, on national TV, to give people a reason to see the film. Hmm.

I am not faulting Pattinson or Coulter, and, with perspective, I realize it’s not as easy as it seems to give people a hook to hang the film on. For me, knowing a few plot details—like the families of two lovers coping with loss—was intriguing enough. And the way Pattinson and the filmmakers spoke of it, their passion, also drew me in. Obviously I’m not the run-of-the-mill filmgoer.

For the sake of normal filmgoers, how do you sell what you can’t describe in a sentence or two, what defies categories? Lauer was not about to ask him more in-depth questions. ‘But how was it different than a film? What more was the script meant to be? Did it seem too real to be a film, is that what you mean?’ I would have asked questions like that, delved deeper, help him figure it out. That’s the way to make discoveries. The Today Show is not the venue for pursuing any deeper thoughts though.
To read the entire piece, please click here!

Friday, October 8, 2010

MOVIE WEEK - Remember Me - Day Five - Fan Art

Movie Week - October 2010: 
"Remember Me" 
Friday - Day Five: Fan Art
It's the last day focusing on Remember Me. Hope you enjoyed as much as we did putting it together. Thanks to those of you who shared your talent with us!  
Please remember we will be focusing on one of Rob's movies once a month during the drought.  If you have anything you have done that you want to share, please send it to us as we will get to all of his movies and would love to have you contribute. Enjoy! 

Click on all to make bigger especially the Wallpapers! 
Wallpapers By
@twveronika
@twveronika

@twveronika



Wallpaper By
@fearlessmore

@fearlessmore


Wallpapers By
@unf4Rob
@unf4Rob




Wallpaper by
@mwee_c

@mwee_c


Wallpaper by  @CSIKat